We’re finally to the last back to basics post on verbs, the irregular verbs. These are the rule breakers that refuse to follow the same rules as the rest for the different tenses. They can seem intimidating at first, but don’t worry. Although they don’t follow the same rules as most, they do follow their own set.
Let’s start off with the state of being verbs.
Be, am, is, was, and were are all different forms of the same verb, be. Is, am, and was are singular. Are and were are plural. Be itself can work either way, depending on the tense. Are and is are in the present tense. Was and were are past tense verbs.
I wanted to take a few moments to explain why I've more or less disappeared online the past month or so.
Part of it has been working on the grammar and creative writing text books I talked about last month. The rest, I haven't been able to talk about before now. You see, beyond working on textbooks, I've been hired on by Foster Academy to teach English and Science for the high school students. Having learned from past experience, as soon as the text books arrived, I started working on preparing lessons, assignments, and the like between teacher work days spent helping set up the building.
Have you heard the advice about taking a break between steps in the writing process? As with many things when it comes to matters of art making, there are multiple schools of thought on the practice. Some say it's a waste of time. Others say it's essential. Some prefer short breaks or "pauses," and others believe anything less than months at a time is the same as just plowing through.
Personally, I hold to the pause method. One, just because that's the way I've always worked on an instinctual level, but also because I've learned I need those pauses to produce better work.
Writing their rough drafts exemplify love/hate relationships for authors. When the words come easily, and the scenes blossom full of life and color, it's exhilarating. It's a rush like no other. Other times though, each scene is hazy if you can see it at all, and the words dance just out of your memory's reach. That's when composing becomes difficult and procrastination in all its forms becomes tempting.
I've hit the point where Icarus becomes hazy. Oh, I have it fully outlined. I know what is supposed to happen, but it's all new territory. For most of what I've written in the rough so far, it existed in the old version The Writer's Hood printed back when it was still a thing, or at the very least, I'd worked through scenes in my head over the decade since the e-zine's closing. Having lived for more years and seen more of the world if only through documentaries and news broadcasts changed much of what I'd planned. The entire last half of the novel is brand new, which is just part of why I hemmed and hawed so much following reaching the halfway mark.
When, where, and how should you use quotation marks in your writing? It's a question that confuses people and causes a lot of problems for them and not just when it comes to writing dialogue. Today we'll discuss the proper usage of quotation marks in fiction and non-fiction, formal and informal writing.
How do I quote someone in an essay?
First, you need to decide if you're going to quote them word for word or if you want to paraphrase what they said. If they were long winded in their explanation of something, paraphrasing might be best. Otherwise it looks like you are using the quote to bump up your word count without presenting your take on the subject, which can hurt your grade. The best quotes to use in school papers are short, to the point, and given by experts in the topic you're discussing in the paper.
One of the most common things I've seen writers be asked is what their writing schedule looks like. Do you write at set times? Do you have a daily word count goal? Do you write every day or when inspiration strikes?
Each writer has a different answer. We're all different people, so what works for one might not work for another.
Still, I've recently made a slight alteration to my writing schedule that's made a huge difference in my productivity, so I thought I would share.
I thought I'd mix it up a bit this week by answering a writer's tag I found online. It just has ten simple questions, so this should be short and sweet.
1. What do you write?
A quick scroll down the categories over to the right of the page ought to prove I write speculative fiction. Spec fic covers a wide range of genres and their subgenres as well as mashups of those. I tend to stick more with science fiction, but I do dabble in fantasy now and again. And like with the Yekara series and the Myth and Science universe stories, there are times when I use both science fiction and fantasy elements in the same piece.
Have you tried to compare things only to get confused as to whether you should put more in front of the adjective or add "er" to the end of it? If so, you aren't alone. A lot of people have difficulty deciding on the proper way to use the comparative and superlative forms of adjectives. In fact, it's such a common problem, it's a frequent source of frustration for editors and English teachers alike. That's why I'm covering them in this week's Back to Basics post.
When and why should you begin a new paragraph when writing? It’s one of those basic writing skills that can still be tricky off and on for even experienced writers. While the rules are fairly simple for formal writing, the added freedom when composing fiction can cause a bit of confusion.
Once again, today’s topic is one where errors tend to make me cringe. It’s to the point where C. L. makes subject verb agreement or comparatives errors on purpose to pick at me because he finds the faces I make in response hilarious. However, these kinds of mistakes irk me for a different reason than negative concord (double negatives) like we spoke about last time.
Each language has its own unique rhythm. The spoken word has been compared to music for good reason. Listening to someone speak well or reading a bit of good writing aloud plays over the ear like a melody. In that context, grammatical errors stick out like sour notes.
At least to my ears, mistakes with subject verb agreement and comparatives sound more like a woodwind squawking than a simple wrong note.
A. B. England is a small business owner, mom of two, novelist, all around geek, and avid crafter. She loves mythology, fantasy, and all flavors of science fiction.
Yekara Series Book 2
The Icarus Project
Rough Draft Progress
77384 / 75000
Myth & Science Collection
Icarus Series Book 2
Sketched w/ Some Drafting
Yekara Series Book 3
Myth & Science Collection 2
Intent Only at this Time
Icarus Trilogy Book 3
Supers Collection 2
Intent Only at this Time
Yekara Series Book 4